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Blue Wisdom

Blue Wisdom 1

2021

Acrylic on 3D Russian Birch Relief

10” h  x 10” w  x 1 1/8” 

SOLD

Blue Wisdom 2

2021

Acrylic on 3D Russian Birch Relief

10” h x 10” w x 1 1/4” d

SOLD

Blue Wisdom 3

2021

Acrylic on 3D Russian Birch Relief

10” h x 10” w  x 1 1/4” d

SOLD

Blue Wisdom 4

2021

Acrylic on 3D Russian Birch Relief

10” h  x 10” w  x 1 5/8” 

SOLD

Blue Wisdom 5

2021

Acrylic on 3D Russian Birch Relief

10” h x 10” w  x 1 7/8” 

SOLD

Blue Wisdom 6

2021

Acrylic on 3D Russian Birch Relief

10” h x 10” w x 1” d

SOLD

About Blue Wisdom

Sometimes your art takes you to a new place you were not expecting. 


I set out to continue my Inner Topography series on an intimate scale. I tapped into the deep well of restorative time spent in the Adirondacks via photographs I have made there. What bubbled up is a topographic circle-within-a-square or rectangle and a painterly study of light, air and water. While the series harkens back to the view of our earth as a big blue marble, it also connects to the ongoing cycle of regeneration I will call “blue wisdom”. 


There is no small irony that many of us, myself included, have turned to nature in this unprecedented time asking for health and healing from the very entity that we, ourselves, are destroying by our extractive pursuit of profit. A singe from the laser cutter and warm glow reflected on the wall surrounding each work burns the alarm.  Never-the-less, I have hope, if only we will learn the way of “enough” and remember again, our place in the rhythms of the natural world.


Scientist, author, and indigenous wise woman, Robin Wall Kimmerer puts it this way:


“Even a wounded world is feeding us. Even a wounded world holds us, giving us moments of wonder and joy. I choose joy over despair. Not because I have my head in the sand, but because joy is what the earth gives me daily and I must return the gift.”



― Robin Wall Kimmerer, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants

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Inner Topographies

Warm hues of red and orange alternate with pale blue-greens, fading to a glowing center in lower rig

Inner Topography, No. 12

Acrylic on 3D Russian Birch Relief

30” h x 15” w  x 1 ½” d 

Ocher and yellow-green concentric brush strokes fade to glowing center in upper left, painted on 3D

Inner Topography, No. 10

Acrylic on 3D Russian Birch Relief

15”h x 10” w x 1 ½” d” 

SOLD

Pthalo Green and Hunter green concentric brush strokes fade to glowing center in lower left with bea

Inner Topography, No. 11

Acrylic on 3D Russian Birch Relief

15”h x 10” w x 1 ½” d”

Shades of Hunter Green and olive green and pale blue-green concentric brush strokes fade to glowing

Inner Topography, No. 15

Acrylic on 3D Russian Birch Relief

15” h  x 10” w  x 1 ½” d

SOLD   

Shades of Hunter Green and olive green and pale blue-green concentric brush strokes fade to glowing

Inner Topography, No. 14

Acrylic on 3D Russian Birch Relief

15” h x 10” w x 1” d

SOLD 

About Inner Topographies

Inner Topographies continue my exploration of the layered topographic form. What sets these works apart is that the layers are derived not from USGS data of physically existing land forms, but from the figure found in the top layer of Russian Birch ply revealing the inner growth of the tree.  The macro pattern of topography repeating in the growth layers of trees hints at yet-to-be-understood relationships between all organisms. When combined with color harmonies, the works become a metaphor for the inward search for connection, peace and stability. 


By connecting to the forces and forms of nature, I am tapping into cycles that far outlast our current struggle with global pandemic and societal clashes. Never the less, I continue to ask larger questions…Are we “driven” by unsustainable forces set in motion during the last century? Is it possible for humans to curb our appetites and return to a state of flow within the limits of our planetary home?

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Topo Shift Series

Topo Shift: Upper Saranac

Mixed Media on 3D Russian Birch Relief

30” h x 60” w x 1 ½” d

Topo Shift: Ausable Lakes 1

Mixed Media on 3D Russian Birch Relief

30” h x 60” w x 1 ½” d

SOLD

Topo Shift: Upper Ausable

Mixed Media on 3D Russian Birch Relief

30” h x 60” w x 1 ½” d

Topo-Shift: Marcy 1

Mixed Media on  3D Russian Birch Relief

29 ¼” h x 29 1/2” w x 2” d

Topo Shift: MacIntyre Range (Winter) 

Mixed Media on 3D Russian Birch Relief 

16 1/2” h x 14 ½” w x 3 ½” d 

Topo Shift: Allen (Winter)

Mixed Media on  3D Russian Birch Relief

16” h x 32” w x 3 ½” d 

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About Topo Shift Series

Works in the Topo Shift series explore the perceptual shift I experience moving through the woods: vast contours of the land exist in my mind as a micro-model while light and shadow weave me into the macro-environment. The viewer’s perception oscillates as well: with a slight shift of the head the three-dimensional form of the topography is flattened by foliage patterns, then pops forward again as the mind makes sense of spatial form.


Each work is rooted in a personal experience of the land. The three-dimensional terrain is built of Russian birch using topographic data from USGS maps. These organic terrain shapes create movement over which I paint shadows photographed while hiking. The result is a union of 3D form and 2D pattern suffused with light and color. 

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